Levente Moro is a well-known member of the European psychedelic community. He earned his PhD in 2017 at the University of Turku, on the subject of hallucinatory altered states of consciousness. In 2012 he started PsyHelp, an organisation by partiers, for partiers, to make psytrance and Goa concerts and festivals safer. Read the interview made by our intern, Jonathan Brozdowski!

Watch Xenia Grubstein’s documentary trilogy inspired by the life of Colombian coca growers both amidst the recent peace talks and afterwards.

One in three women will be assaulted by her intimate partner in her lifetime, but the most vulnerable of them will be deathly afraid of seeking help. Why? The inescapable stigma surrounding drug use.

The city of Marseilles decided to open its first drug consumption room. Read our interview with Beatrice Strambul, who has been in the forefront of the harm reduction movement in France since the 1990s.

A leading Dutch harm reduction organisation, Mainline, launched a crowdfunding campaign to open the first ever museum dedicated to drugs. Read our interview with Machteld Busz, the director of Mainline – and support their cause!

We filmed the largest international harm reduction gathering to give you an insight on what is happening with this movement around the world.

The renewed commitment to the war on drugs approach of president Bolsonaro is threatening the achievements of the Brazilian harm reduction movement. Watch our videos!

Drugreporter and Harm Reduction International co-organises the International Harm Reduction Film Festival next week in Porto, sponsored by Elton John AIDS Fund. There is an incredibly strong selection of movies – browse the programme and watch some trailers below!

Inspired by the testimony of a psychedelic fungi grower, we went to the Czech National Mental Health Institute in the Czech Republic to meet the scientists making psychedelics legal. A movie produced by Polish members of our global video advocacy network.

Too often, the materials that projects produce are eventually hidden somewhere, forgotten and unused as the project ends. That is a pity, not to mention a waste of resources. To avoid this, we have tried to preserve our materials in places which stay alive and kicking after our project has ended, and the people who worked on it have moved on to new. An article by Tuukka Tammi.